Shout-out for the Stunt Community in Tamil Films
A-list stars of Tamil cinema get a lot of mention in all and every media outlet, including the social, particularly when they meet with an accident on the movie sets. “Oh, Vijay Sir (or any of the other A-listers) had a fall in the sets, his ankle got twisted.” I can understand the newsworthiness of this incident.
The star will be out of action for about a week and this reflects on the finances of the film. This is why and how even the state of the ankle or the back of a star gets blared on the front page. The star is a performer-cum-entertainer, and his health is a legitimate concern for the investors.
But any injury that befalls one particular category of movie performers never makes the inside pages of cine magazines (if they exist now) or any cine website. If you expected that they would be acknowledged in the films, be ready to be disappointed. They are rounded up by agents (the way my wife’s cousin tells me and I don’t believe), brought to the sets, do their tasks (on a bad day, get hurt) and go their way.
My argument is that without these performers, though they may be way too many, which by itself dilutes their contributions, Tamil movies cannot be made. Hence this post to acknowledge them, not by individual names but by the collective name I have given in the title−the Stunt Community.
I know nothing about movie making, but I do know that if stars like Vijay, Ajith et al suffer any injury (God forbid) while they were shooting for a film, there would be newsflashes galore. Here, I need to mention Mr. Kamal Haasan, whom I rate as a ham and I do wonder why and how became a cine icon (which he is, whether I acknowledge it or not). He is perhaps the only a leading actor who has played a stuntman, in the movie Pammal K. Sambandam. The best part is he is gored by a bull as he is shooting a scene.
There is no mention that the hero Pammal Kalyana Sambandam carried any insurance. Let us take that as the truth; stunt people are perhaps true daredevils! “It won’t happen to me!” As I watch Tamil movies (hobby in my retired life!), I give myself a pat on my back for identifying many stunt instances as teaching opportunities, and have used them as such many times. I explain that in sports competitions such as diving, gymnastics, the athlete makes herself compact to make herself rotate faster and make 2 ½ or 3 ½ rotations; one can witness the same trick in Tamil stunt scenes, the villain’s henchmen before receiving a “kick” from the hero, compacts himself (with his arms tucked in close to his body) and his body rotates many times before he lands with a thud.
When the hero jumps off a second or third floor of a multi-storeyed building and lands he would take a tumble and there is a scientific explanation for why they do it, to make the action look natural. This is a hero doing the work of a stuntman! So, my appreciation for the stunt community holds good!
When you look at how swimmers in competition (long distance like 1500 meters) create a trough as their shoulders move forward and how they take their breath in that trough, you can understand how mechanics plays a part. In the Hindi movie, Tarzan: The Wonder Car, one of the villains is towed in water by a boat, and one can see what I have described above. Of course, it was a stuntman standing in for that villain! Hence, my appreciation, (though for something in a Hindi movie)!
Yes, at least in some movies, the name of the Stunt Coordinator appears in the credits, but name of the stunt man or woman. The same with dance choreography. The focus is always and exclusively on the hero and heroine, not even on their friends (that could be for another post!). But, it is time we realized that making a movie needs the clockwork coordinatedactions of many, and stuntmen and stuntwomen are such groups of professionals.
This post is a shout-out to them.
Raghuram Ekambaram